4 минут чтения
THE YEAR OF THE GIRAFFE

A Symphony in Four Movements and an Infinite Dance


Overture: The First Chord of the UniverseIn the beginning was sound. Not the word — sound. The harp of the universe touched its first string, and the earth trembled with anticipation. This music has no score — it writes itself now, in this very second, when the air fills with the premonition of wonder.Listen: this is the legato of red airships floating above the world like frozen notes on the staff of heaven. This is the staccato of dice tapping out the rhythm of chance on the pavement of fate. This is the crescendo of life unfolding between the dawn and dusk of one incredible year.


First Movement: Allegro con brio — The ArrivalThe gates swing open to the ring of a bell. The postman — messenger between worlds — has arrived in an automobile that remembers the scent of gasoline and the romance of roads. In his bag are letters from those not yet born, and answers to questions not yet asked.He rings. Once. Twice. Thrice.And the world responds fortissimo: not only do the gates open, but all possibilities of the year. The chessboard beneath our feet is no longer black and white — it's rainbow-hued, each square singing its own color. The queen makes an impossible move — diagonally upward, into the sky, where logic yields to flight.


Second Movement: Andante maestoso — The Realm of the GiraffeShe towers above the bustle — the Magnificent One. The Giraffe-keeper, whose neck is a ladder between earth and stars. Her spots are not merely pattern: they are a map of constellations, a calendar of days, the musical notation of the year. Red, orange, emerald — each spot holds the memory of a moment.She observes. Does not judge — observes. Her gaze follows the dancer in emerald feathers, whose movements birth whirlwinds of energy. Dance is not entertainment, it is the language the soul speaks when words fail. The dancer's black curls are night, her white dress is day, her feathers are the twilight between them. She dances on the chessboard of life, transforming each move into a pas de deux with destiny.And around her — an adagio of observers: the rooster in his russet plumage, the turtle carrying patience on her shell, pears heavy with the sweetness of anticipation.


Third Movement: Scherzo volante — Celestial CommotionSoaring upward! The girl on the bird — pizzicato of joy! — cuts through the air with laughter and dance simultaneously. Her flight is a challenge to gravity, her dance a mockery of the impossible. The bird carries her not merely up, but into a dimension where flight is the very essence of being.The titmouse — ah, this coquettish titmouse! — has donned her finest dress: azure with gold. She came not to participate, but to witness. To be a spectator of wonder is also an art, requiring costume and presence.The airship of the future glides on the right — silvery, streamlined, knowing paths not yet charted. Umbrellas hover, freed from the hands that held them. They are no longer protection from rain — they are wings for those who forgot they could fly.And on the moon — oh, behold the moon! — clings the Traveler. He has not fallen nor gotten stuck. He chose this — to fly around the earth, holding onto the horns of the crescent, to see the world from the side of eternity, to be an eternal wanderer between light and darkness.


Fourth Movement: Finale — Symphony of Fire and MusicOn the pillar blazes fire. Not destructive — sacred. It illuminates the saxophonist, whose fingers dance across the keys, extracting from brass the jazz of eternity. His music — earthly, audacious, alive — weaves into the cosmic harp of the universe.Hear this polyphony: the harp plays the melody of creation, the saxophone responds with the improvisation of life. They do not argue — they converse. Celestial and terrestrial, eternal and momentary, written and being born right now.The Universe at the center — a woman with hair the color of moss and hope — plucks the strings. Each sound is a birth: of a flower, a thought, a desire, a destiny. Her music does not merely animate the earth — it is life itself, continuous, flowing, incredible.


Coda: Echo of InfinityThe Year of the Giraffe does not end. It sounds.This is the year when the postman brings news that boundaries are illusion. When the dancer proves that energy matters more than logic. When the traveler shows: home is where your orbit is. When the girl on the bird reminds us: we were all born with wings, we simply forgot to unfold them.This is the year when the universe plays the harp, the saxophonist picks up the melody, and the Giraffe — wise, spotted, magnificent — nods: yes, exactly so. This is exactly how life sounds when you listen with your whole heart.The dice are still in the air. They have not yet fallen.And the music?The music continues.Always.


The painting sounds. Can you hear it?



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